Hannah won “BEST PERFORMANCE IN LIVE THEATRE” Young Actress for her performance in the IT Factor Theatre production of “ONCE UPON A DREAM” the 33rd Annual Young Artist Awards. Congratulations Hannah! You’ve worked hard for this!
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Erica Kiehl booked not one but two National Commercials for DODGE and REMA 1000 along with a featured role in the upcoming Feature Film AMERICAN LIE.
Congratulations Erica!
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Many times when I’m working with an actor on a scene and I feel they are holding back they tell me they don’t want to be too _________ fill in the blank. Too big, too loud, too sexy, too…. many things. But really what they are holding back from is: following their instincts.
Often this “holding back” is because of a director or teacher gave them that note for a different performance in the past. Don’t generalize your notes from a director or teacher and bring them forward. At least run these old notes by your current teacher and get their feedback.
Take into consideration that every Casting Director I’ve met has said that it is better to be too big because they can always tell an actor to bring it down, but rarely can an actor take the adjustment to turn it up.
Know that when you’re holding back – you’re not risking going outside of your comfort zone and so your performance will probably be safe. Instead, trusting your instincts, go for it and don’t hold back.
Are you holding onto any notes? Share with other actors and get some feedback below.
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What happened the moment before the scene started? This is a key question to get your scene off to a strong start. Just be sure you answer it specifically.
I find most actors attend the University of MSU (Make Stuff Up) and fail to look for the answer in the script. The clues are in the script! Before going to MSU, read the script again with the intention that it will tell you what happened the moment before.
Remember it’s the moment before, not the hour or day before. What happened the second before your scene started? Think logically what did the last person say before you entered or logically what would have happened before this scene.
Use your moment before to make a strong choice. Come in expecting the opposite of what actually happens in the scene. For example: The script says your character asks your boss for a raise and the boss says “No.” Enter the scene expecting your boss to say, “Yes” and allow yourself to discover the disappointment of not getting the raise.
Comment below to let other actors know how your choices for the moment before helps your auditions.
One Response to “The Moment Before”
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“Don’t be too conscious of what the next move in your career will be. I’ve seen many actor friends turn down alot of gigs because they think, ‘Now I’m a big actor. I can only do these kinds of movies.’ Well, they often just stop working.” ~ Neal Patrick Harris, star of HOW I MET YOUR MOTHER.
Which do you want be? Working and happy or not working and resentful?
I’ve seen the same attitude with actors who haven’t even started working! They turn down auditions, opportunities, agents because they think, “I’m better than that.” They are not working either.
Work begets work. Turning down acting opportunities begets sitting at home and fantasizing about working as an actor and resenting those who are working.
Success = Preparation meets Opportunity. Be in class. Be prepared for any audition when it comes. Take every opportunity to act you can – you never know what it will lead to.
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After many months of a nationwide search Neil Patrick Harris (How I Met Your Mother) was cast at age 16 as the infamous Doogie Howser, MD by show creator Steven Bochco ( NYPD Blues, LA Law, Raising the Bar).
Before starting production, Steven took Neil and his parents to dinner and gave him this advice:
“A career in acting is like surfing. You paddle out and paddle out and get wet and hit by the waves. When you finally get out where you’re supposed to be you have to sit on a surfboard for a long, long time, just waiting. If you’re really lucky, you’ll catch a wave, and it’ll be the most amazing feeling. ut the key is that that wave will inevitably crash to the sand. Then what you have to do is paddle back out and get hit by a bunch of waves again. But trust that in the long term there will always be waves to catch.”
Thinking back on this advice, Neil Patrick Harris said, “It turns out (to be) absolutely accurate.”
Where are you in the process, do you agree with this? Start the conversation with a comment below.
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Several years back I was coaching a student who was being followed by Academy and Emmy award winning
documentarians, Dylan Nelson and Dan Sturman. (TWIN TOWERS, SOUNDTRACK FOR A REVOLUTION, NANKING). The footage of my coaching is now included in a fascinating documentary,The Hollywood Complex.
This film is a must see for any child and parent planning and/or venturing to Hollywood to pursue the child’s dreams of making it big. The documentary follows the life and auditions of five “Show Biz Kidz” staying at the infamous Oakwood Apartments.
The film premiered at Hot Docs in Toronto, and has played a number of major festivals, including Sheffield (England) International, Melbourne, and has been selected for the Cleveland International Film Festival in late March. It has already played on Channel 4 in the UK, and is selling around the world – France, Germany, Finland, Japan, and Australia on Qantas Airlines.
Check out the Showtime schedule and share your thoughts in the comment section below about the journeys of these Show Biz Kidz.
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Pursue a goal for where it takes you, not for where it gets you.
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Look for Loren at the Oakwood Apartment’s Child Actor’s Expo
Sunday February 10th, 2012 – Oakwood Apartments – North Clubhouse
10:00 am to 12:00 pm
Attendees can enter to win a FREE 45 Minute Coaching with Loren!
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INTENTIONAL ACTING FOR BEGINNING ACTORS Ages 8 – 12
Tuesdays 4:00 – 6:00 pm.
Industry Day Saturday, February 18, 2012
INTENTIONAL ACTING Ages 18+
Tuesdays 7:00 – 10:00 pm
REQUEST AN INTERVIEW: Loren@IntentionalActing.com or call 818-985-8504





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